EDITORIAL: Who Does the School Board Work for?

The answer should be elementary, but as I observed Monday's school board meeting , I heard several troubling statements that made me wonder whether the board, district administration and even the taxpayers themselves may have forgotten.

 

Monday's meeting was the first that I've attended since the mild shake-up in last November's elections. I can say that without exception, it was the most poorly planned and executed government meeting I've ever sat through – and I've sat through many.

 

The big-ticket item was a revised budget proposal to be delivered by superintendent Tim McGonegal for the board's consideration. It was item number 65 on the agenda and finally arrived at just after 10 p.m. – in a meeting that started at 5:30. Much of the crowd had left and some that remained were nodding off, which may have been the plan – wait them out and ram it through.

 

The whole event seemed one workshop short of being ready for a meeting, and there were many items that should have been pushed, considering the importance of ironing out a budget that there has been almost no agreement on. Recently-elected board members Julie Aranibar and Karen Carpenter repeatedly asked questions regarding information they said they had previously requested, but hadn't received, despite the fact that they were being asked to vote on moving a plan forward.

 

There were vague PowerPoint slides presented that claimed to show big-picture, bottom-line numbers, while promises of eventually delivering those “specifics” were made. Needless to say, Aranibar and Carpenter understandably seemed less than comfortable being asked to give their support to something they couldn't explain to their constituents – and not for lack of trying. Their off the script attitudes seemed to be taken as little more than a child's petulance. Sure, have your turn ladies, but get on board. This train's moving with or without you. where are we making them from, and are we in fact doing everything we can, including looking at the bloated cost of administration (which has skyrocketed in recent years despite relatively flat enrollment), to make sure that the cuts do not impact the classroom? The answer to that question seems to be no, though without the line items it's harder to say so. Again, the skeptic in me says, maybe that's the point.

Karen Carpenter Story - News


EDITORIAL: Who Does the School Board Work for?
EDITORIAL: Who Does the School Board Work for?

Recently-elected board members Julie Aranibar and Karen Carpenter repeatedly asked questions regarding information they said they had previously requested, but hadn't received, despite the fact that they were being asked to vote on moving a plan



Author events, July 10-16

The story behind the velvety voice of superstar Karen Carpenter, whose life wasn't as easy as she made it sound. Come hear covers of the Carpenters' greatest hits by local musicians, including Becky Shaw and former Coolies guitarist Rob Gal.



Todd Haynes's Mildred Pierce: the crystal meth of quality television
Todd Haynes's Mildred Pierce: the crystal meth of quality television

My little reverie is that he will remake his 1988 short film Superstar: The Karen Carpenter Story – which jokily used Barbie dolls – as a long, feature-length biopic, but using real actors this time. I was thinking Zooey Deschanel as Karen and Scott



The DVD Wrapup: The Island, Unknown, Cedar Rapids, Poison, Women in Cages ...

Haynes had already made a bit of noise among indie buffs for his short film, “Superstar: The Karen Carpenter Story,” which used Barbie dolls to describe the singer's battle with anorexia. After the release of “Poison,” he would go on to write and



Most Dead Rock Music Stars Are Vampires

Jim Morrison, Janis Joplin, Jimi Hendrix--and even Karen Carpenter simply crossed over to the other side. They hide themselves and don't perform, but the famous rock stars are still around. Rolling Stoned did a recent interview with the late Jim




Reviews : Superstar: The Karen Carpenter Story : Cinelogue

, Sounds like a gossipy documentary meant to gather as many wagging tongues as possible to go into the particulars of the dead singer’s life, all while avoiding the true depths of despair that led to her untimely demise from anorexia nervosa. Haynes incorporates elements of behind-the-scenes documentary into his experimental 43-minute film, his parodic usage of talking heads and clinical voiceovers adding to the intellectual exercise of his formal daring.

He even frames the film as if it’s a master’s thesis, a female narrator flatly explaining the movie’s message: “As we investigate the story of Karen Carpenter’s life and death we are presented with an extremely graphic picture of the internal experience of contemporary femininity. We will see how Karen’s visibility as a popular singer only intensified certain difficulties many women experience in relation to their bodies.” It sounds cold and calculated and speaks to the intellectualism inherent in Haynes’ filmmaking.

But the director also treats Karen Carpenter as a person, despite the obvious symbolism in his decision to reenact her life not with actors but Barbie dolls in an immaculately created mini-world. The split between his wry framing and his sympathetic view of Carpenter allows for a more rounded reading of the situation: Haynes’ intellectual remove gives him the freedom to extrapolate from Carpenter prototypical advances in a number of his core themes, while his ability to get in close and feel for a woman pulled apart at the seams keeps the film from becoming a condescending, sneering piece of avant-garde deconstruction.

In his minute recreation of the Carpenters’ family home in Downey, California, Haynes can exert total control over his recurring presentation of suburbia as a soul-rotting, reactionary prison (see also: Safe in its depiction of debilitating illnesses brought on by social, not disease, vectors.

A dry humor is at work here: when Karen and Richard speak to Herb Alpert, head of A&M Records, Haynes intercuts their chat with stock footage of the Vietnam War, and he begins tweaking the sound until Alpert’s reassuring charm morphs into a sinister temptation by the devil. Black-and-white shots of food so garish it comes to resemble the chicken dinner in David Lynch’s Eraserhead leap into Karen’s subjective view of the food she denies herself.

Lynch actually proves something of a parallel for Haynes’ experimentation here, though we can also see how straight and humanely Haynes treats subject matter near to Lynch’s heart. Both dig into the twisted underworld of button-down suburbia, but Lynch prefers exaggerated, borderline Dadaist fever visions of the crazies dwelling among us. Haynes prefers to depict suburban life as antiseptic and cold, physically and emotionally isolating until everyone finds oneself trapped in a personal hell.


Twitter

Jess That reminds me, watched 'The Karen Carpenter Story' on the True Movies channel yest. Hilariously awful script! X


Andrew Goldman Convinced Russ is training to star in Karen Carpenter story. MT : 10km ride 30 min body mvmt 15 km ride 300m swim 5km ride..


金井 千代子 Superstar Passage The Reincarnation of Karen Carpenter: A ghost story in New Haven, Connecticut--or is it? A par...


Karen Carpenter Story - Bookshelf

Superstar, the Karen Carpenter story

Superstar, the Karen Carpenter story


Far from heaven, Safe ; Superstar, the Karen Carpenter story : three screenplays

Far from heaven, Safe ; Superstar, the Karen Carpenter story : three screenplays

Collected in this volume are three highly acclaimed screenplays from one of today's most provocative writer-directors.

Remote Control, Power, Cultures, and the World of Appearances

Remote Control, Power, Cultures, and the World of Appearances

Superstar: The Karen Carpenter Story To dd Haynes Lost in space somewhere between "Close to You" and "Long ago and oh so far away," Karen Carpenter's voice ...

The motion picture prescription, watch this movie and call me in the morning

The motion picture prescription, watch this movie and call me in the morning

The Karen Carpenter Story Healing Themes: • Losing control and taking a destructive path in life • Growing up feeling as if you were second best • If food ...

Spirit of love, a medium's message of life beyond death

Spirit of love, a medium's message of life beyond death

Karen Carpenter's Story I embrace my inner child with Love. I take care of my inner child. It is the child who is frightened. It is the child who is hurting ...

Guide One Directory


Superstar: The Karen Carpenter Story - Wikipedia, the free ...
Superstar: The Karen Carpenter Story is a 43 minute film about the life of pop vocalist Karen Carpenter. It was directed by Todd Haynes and released in 1987. ...

The Karen Carpenter Story - Wikipedia, the free encyclopedia
The Karen Carpenter Story is a TV movie that aired on CBS on January 1, 1989. ... The story begins with the collapse of Karen Carpenter in the closet of her ...

BBC - Radio 2 - The Karen Carpenter Story
A two part profile of Karen Carpenter ... Yet in 1983 Karen Carpenter died suddenly from heart failure, the result of years of suffering with anorexia nervosa. ...

Superstar: The Karen Carpenter Story: Information from ...
But while Karen Carpenter and her brother Richard represented all ... Superstar: The Karen Carpenter Story looks at how Karen's music helped to redefine ...

Amazon.com: Superstar: The Karen Carpenter Story
Amazon.com: Superstar: The Karen Carpenter Story ... "Superstar: The Karen Carpenter Story" Showing 1 - 16 of 102 Results. Choose a. Department. to enable sorting ...